Praise

“In her third major study of Laura Ingalls Wilder’s work, Pamela Smith Hill distinguishes herself as the preeminent Wilder scholar of this generation. Eminently readable, meticulously researched, without catering to passion or prejudice, Too Good to Be Altogether Lost places Wilder and the Little House books firmly in the pantheon of American literature.”—Eric A. Kimmel, winner of the Sydney Taylor Award for Lifetime Achievement and the Regina Medal

“Hill suggests new and useful perspectives on Wilder’s groundbreaking books, their place in history, their literary merits, and their relationship to historical attitudes about race, gender, and manifest destiny. Hill also breaks new ground herself in her chapter on The First Four Years…. Wilder fans and scholars alike should prepare to have their minds blown by Hill’s intriguing and thoroughly researched take on this work. —Nancy McCabe, author of From Little Houses to Little Women: Revisiting a Literary Childhood

“With the voluminous scholarship concerning Laura Ingalls Wilder’s life and literary output can there be a need for a fresh and expanded assessment of the author’s writings? In author Pamela Smith Hill’s Too Good to be Altogether Lost the answer is a resounding ‘yes.’ As one of Wilder’s chief biographers, with a near-lifetime of researching, teaching, and writing about the author of the Little House books Hill proves that there is more to say about the creation of the books and how they resonate in current American culture. . . . . With impeccable sources and wise analysis, [Hill] tackles with panache the endlessly fascinating tale of the Little House writing collaboration between Wilder and her daughter Rose Wilder Lane. Hill also creates a case for the Little House canon as a valid source for future reading, assessment, and appreciation. This is a welcome and recommended book indeed.”—William Anderson, editor of The Selected Letters of Laura Ingalls Wilder

PRE-ORDER NOW | AVAILABLE JULY 1, 2025

Laura Ingalls Wilder, author of the well-known Little House series, wrote stories from her childhood because they were “too good to be altogether lost.” And those stories seemed far from being lost during the remainder of her lifetime and through most of the twentieth century. They were translated into dozens of languages; generations of children read them at school; and dedicated readers made pilgrimages to the settings of the Little House books. With the release of NBC’s Little House on the Prairie series in 1974, Wilder was well on her way to becoming an international literary superstar. Simultaneously, however, the novels themselves began to slip from view, replaced by an onslaught of assumptions and questions about Wilder’s values and politics and even about the books’ authenticity. From the 1980s, a slow but steady critical crescendo began to erode Wilder’s literary reputation.

In Too Good to Be Altogether Lost, Wilder expert Pamela Smith Hill dives back into the Little House books, closely examining Wilder’s text, her characters, and their stories. Hill reveals that these gritty, emotionally complex novels depict a realistic coming of age for a girl in the American West. This realism in Wilder’s novels, once perceived as a fatal flaw, can lead to essential discussions not only about the past but about the present—and the underlying racism young people encounter when reading today. Hill’s fresh approach to Wilder’s books, including surprising revelations about Wilder’s novel The First Four Years, shows how this author forever changed the literary landscape of children’s and young adult literature in ways that remain vital and relevant today.